ECRF 2007 Participants
Weihong Bao
“‘Transparent Shanghai’: Cityscape, Vertical Montage, and A Left-Wing Culture of Glass in 1930s Chinese Cinema”
bao.9@osu.edu
The Ohio State University
Clint Bergeson
“Because That's Where the Money Is’: Herzog Being Herzog in Hollywood”
cdb16+@pitt.edu
University of Pittsburgh
Michael Cowan
“Off-Screen Presences: Fortress Europe and the Privatization of Space in Michael Haneke's French-language Films”
michael.cowan@mcgill.ca
McGill University
John Davidson
Davidson.92@osu.edu
The Ohio State University
Owen Evans
“Going Underground: The Metaphorical Spaces in Nimród Antal’s Kontroll (2003)”
O.Evans@swansea.ac.uk
University of Wales Swansea
Jared Gardner
“Greenaway's Suitcase Cinema & New Media Archeology”
gardner.236@osu.edu
The Ohio State University
Paul Gebhardt
“The Image and the Frame: Visual Potentiality in Tom Tykwer's The Princess and the Warrior”
gebhardtp@kenyon.edu
Kenyon College
Sabine Hake
“The Place of the Transnational in National Film Histories”
hake@mail.utexas.edu
University of Texas-Austin
Randall Halle
“Occidentalism and Orientalism: European Film Funding and (Non)European Film Narratives”
randall.halle@gmail.com
University of Pittsburgh
Dennis Hanlon
“From Anita G to Abschied von Gestern: Alexander Kluge's Obstinate Anti-Realism”
dennis-hanlon@uiowa.edu
University of Iowa
Graeme Harper
“Film Geography: European Cinema as Geo-Social Transcript”
graeme.harper@bangor.ac.uk
University of Wales, Bangor
Yana Hashamova
“Trafficking in the Balkans: Screening Tribulation and Trauma”
hashamova.1@osu.edu
The Ohio State University
Kristin Hole
“Daisies' Feast of Fetishes: Fetishism as a Feminist Representational Strategy”
kristinhole@gmail.com
York University
Sam Ishii-Gonzales
“ ‘I is an Other’ Pasolini and the Free Indirect Cinematographic Discourse of Modern Film”
IshiiGonzales@aol.com
The New School
Aparna John
“Towards a New Aesthetics of Film: Jacques Ranciere and Jean Luc Nancy on Cinema”
aj354@nyu.edu
New York University
Jennifer Kapczynski
“Approaching the Canon: Notes on Teaching National Cinema”
jkapczynski@wustl.edu
Washington University in St. Louis
Charles “Chip” Linscott
“Trajectories in Interdisciplinary Research: Inside The Cabinet of Dr. Caligari”
Cl403506@ohio.edu
Ohio University
Ingeborg Majer-O'Sickey
“Faust in the Transnational Absurd: Svankmajer's Faust (2001)”
ingeborg@TWCNY.RR.COM
SUNY, Binghamton
Sayeeda Mamoon
“Negotiating Tensions between essential Integrity and Mass Appeal: The Meta-Cinematic Subtext of Stephen Frears' The Queen”
smamoon@edgewood.edu
Edgewood College
Laura McGee
“Closing in on the Stasi: Pursuit of the Truth in Films by German Directors Dresen, Hontsch and Kleinert”
laura.mcgee@wku.edu
Western Kentucky University
Cristian Melchiorre
“The Erotic Index: Louise Brooks and Cinematic Seduction”
cmelchio@uwo.ca
University of Western Ontario
Amy Monaghan
“Une Certaine Tendance du Cinema Francais: The Connotaive and Denotative Meanings of Jean-Pierre Leaud in Tsai Ming-Liang's "What Time Is It There?" and Olivier Assayas's "Irma Vep"”
amonagh@CLEMSON.EDU
Clemson University
Des O’Rawe
“Cinema Lucida: Raymond Depardon and Johan van der Keuken”
d.orawe@qub.ac.uk
Queen’s University
Dorota Ostrowska
“From Informatics to Aesthetics (and perhaps back)”
dorota.ostrowska@btinternet.com
University of Edinburgh
Sean O’Sullivan
“Film Aesthetics and European Television”
osullivan.15@osu.edu
The Ohio State University
Larson Powell
“Painting into Film: Konrad Wolf's Goya”
lpowell@tamu.edu
Texas A&M University
Dennis Rothermel
“The Intertwining of Lars von Trier's Enduring Themes and Permutable Styles”
DRothermel@csuchico.edu
California State University-Chico
Steven Rybin
“Godard's Aesthetic Reconstruction: The Aura in the Digital Age and Eloge de l’amour”
sr194405@ohio.edu
Ohio University
Andy Spencer
“European Émigré Directors: Fighting the Nazis with Genre”
spencer.4@osu.edu
The Ohio State University
Isabelle Vanderschelden
“Luc Besson's Ambition: EuropaCorp as a European Major for the 21st Century”
I.Vanderschelden@mmu.ac.uk
Manchester Metropolitan University
Jonathan Walley
“English and American Avant-Garde Film in the 1960s and 70s: Controversy and Polemics”
walleyj@denison.edu
Denison University
Charles R. Warner
“The Persistence of Montage: History Lessons in Late Marker”
crw20+@pitt.edu
University of Pittsburgh
Jennifer William
“Framing History: The Frame Narrative in Recent German Holocaust Films”
jmwilliam@purdue.edu
Purdue University
Gilbert Yeoh
“What Kind of Magic is This? How Come I Can't Help Adore You?': Faith and Religious Allegory in Lars von Trier's Dancer in the Dark”
ellyeohg@nus.edu.sg
National University of Singapore
